Thursday, 6 March 2014

Analyzing The Universe - Blow by Blow

In my earlier post I gave a review of the course Analyzing The Universe. The 6-week course is available, free to students, via the excellent organisation Coursera, and is delivered by Dr. Terry Matilsky of Rutgers University. Here, as promised, is a blow by blow account of each of the six weeks in the course.
Week 1
In week 1 we have an introduction to the history of optical images and their nature, what it takes to make an astro-image, what information they provide and how they are formed. Light, energy and refraction. Lenses and optics.
We see how an x-ray image is formed and why this is different from optical image formation. How we perceive images when we look at them, and how this impacts the kind of images we want and the information we can get from them.
Finally we get an introduction to the free tool DS9, its features and use.
Week 2
In week 2 we begin an in-depth tour of DS9. We look at the supernova CAS A, which was the 'first light' observation from the Chandra X-Ray observatory, and the Coma cluster of galaxies. We look at how to use DS9 to compare the x-ray image with an optical image of the same object. CAS A and Coma are used to demonstrate some of the useful functionality of DS9 such as analysing the energy spectrum of an interesting area of the image.
Getting a bit more theoretical we look at how statistics can be used to add to the knowledge gained from our observations.
Next we look at atomic spectra, black body radiation and the Stephan-Boltzmann law relating luminosity, radius and temperature. We look at cosmic distances, using parallax for measurements, and how Cepheid variables can help us measure distances.
Week 3
In week 3 we look at the Hertzsprung-Russel diagram, how it helps us to classify stars and what it tells us about stellar evolution. We look in some detail at how stars evolve with time, and what different kinds of stars are out there.
We take an in-depth look at GK-Per, which is a double star in the Persesus constellation which went supernova in 1901. We use this as the basis for a discussion of white dwarves, and some periodic phenomena associated with their spectral properties.
Week 4
In week 4 we derive some of the useful formulae for describing circular motion. We go on to the Doppler shift and its detection when we observe binary stars whose orbital motion is aligned to make such observation possible.
We study the nature of pulsars using DS9 to analyse x-ray data from Cen X-3, observing and quantifying the periodicity of the luminosity in the x-ray data. We analyse the possible causes of the periodicity and what it can tell us about the nature of the pulsar. We observe the Doppler shift in the signal from Cen X-3, and together with our other conclusions this leads us to an understanding of Cen X-3 as an x-ray source orbiting a companion star.
We then go on to figure out what exactly Cen X-3 might be. Using our knowledge of the laws of circular motion we determine the mass of the object, and try to gain an insight into how big it is. We conclude that if it was a white dwarf, it is spinning so fast that it's gravity couldn't hold it together, but if it's a neutron star, its gravity would be sufficient.
We then go on to investigate what mechanism leads to the periodicity we've observed, in the process learning much more about the nature of Cen X-3, and pulsars.
We compare observations made at different periods in history to see that the behaviour of the object has changed over a period of tens of years. We analyse the data to seek an explanation for this.
In week 4 we learn a great deal about neutron stars and pulsars, and we fortify that knowledge with our own observations.
Week 5
In week 5 we look at what makes a star shine. We look at the x-ray object Cas-A and analyse optical spectra from different parts of the object. These observations help us towards a model of Cas-A as a type II (core collapse) supernova remnant in which the movement of material shows evidence of the shock waves resulting from the explosion.
Looking at the spectra from different parts of the object we also draw conclusions about what chemical elements are present and how they are distributed in the remnant.
We use DS9 to create an RGB image from the remnant in which red, green and blue each represent an energy band. By adjusting the energy bands and the bias and contrast for each colour we have considerable control over how we visualise the image. This gives us scope for a lot of experimentation in DS9.
In week 5 we learn a great deal about core collapse supernovae and supernova remnants, and we fortify that knowledge with our own observations. Week 6
In week 6 we begin with Cepheid variable stars – how and why they may be used to determine the distance to astronomical objects. With an accurate measure of distance it is possible to determine the size of an object from its angular size. We learn about Hubble's discovery that the further an object is from us the faster it is moving away from us – leading us to a determination of the Hubble constant for the expansion of the Universe and how this can be used to determine the age of the Universe. We see the relationship between red-shift and distance to an object.
We learn how this led to the discovery of quasars, which are more luminous than the brightest galaxies. We see also that quasars are only seen as distant objects, meaning they are a feature of the young Universe, and we consider why that might be.
We use DS9 to analyse data from the closest quasar, 3C 273, which is 2200 million light years from Earth. We see from our analysis that it is a trillion times more luminous than our sun, and we determine its size.
We see that some material appears to be moving at many times the speed of light, and we look at the explanation for the phenomenon.
We see the evidence of gravitational lensing, and the fact that it suggests that there is much more mass in the Universe than we can observe. We look at the evidence that the expansion of the Universe is accelerating, and we see that dark energy is one theory put forward to explain the evidence.
In week 6 we learn much about galaxy clusters and black holes.
Note
For a review of the course, and my conclusions, please see the previous article.
I took this course from 28th January to 25th February 2014

Monday, 3 March 2014

Book Review: Passing Time by Ellie Garratt

From the back cover

Nine dark fiction stories that may just give you nightmares. Dare you enter the world of the strange and macabre, where the passing of time is not always as straightforward as it seems?

A man lives to regret Passing Time. A father will do anything to save his son in Expiration Date. An author finds out her worst nightmare is back in The Devil’s Song. A woman gets more than the claim fee when she takes out vampire insurance in Luna Black.

In Dining in Hell, the Death Valley Diner becomes the wrong place to stop.

A serial killer adds another file to his collection in The Vegas Screamer. In Eating Mr. Bone, an undertaker could meet an unfortunate end. A con man meets his first ghost in Land of the Free, and will truth finally be set free in The Letter?

Nine stories originally published between 2010 and 2011. Stories range from very short to novelette.

Passing Time: Nine Short Tales of the Strange and Macabre

I only occasionally dip into short stories, preferring to get stuck into a full length novel rather than skip from story to story. However, when I do venture into the shorter, I sometimes come up trumps, and this book is one of those occasions.

The first thing that strikes me as a lover of books is the quality of the publication. I only wish all publishers would set such a high standard. Everything from the cover design to the internal formatting are a high quality showcase for the high quality writing it contains.

It is, as the subtitle suggests, a collection of nine short stories, and they certainly live up to their billing as strange and macabre. I have to say that the author has come up with some wonderfully twisted and bizarre ideas, all of which are executed in a thoroughly engaging style.

These are memorable stories. I highly recommend this book to any reader, and look forward to more from the same author.

*

You can find Ellie Garratt at elliegarratt.blogspot.co.uk and you will find purchase links here.

Thursday, 27 February 2014

Analyzing The Universe – Course Review


When a new supernova, SN2014J, ignited in a spectacular display near the galaxy M82 in January 2014, Rutgers University was already in the process of delivering a fascinating free online course – Analyzing The Universe. I was taking this course, and enjoyed it very much. I found the course stimulating, interesting and very informative, so I'd like to tell you a little about it.

The 6-week course is available, free to students, via the excellent organisation Coursera, and is delivered by Dr. Terry Matilsky of Rutgers University. If you haven't already come across Coursera, I thoroughly recommend that you take a look at their offerings.

About the course, from the Coursera website: “Using publicly available data from NASA of actual satellite observations of astronomical x-ray sources, we explore some of the mysteries of the cosmos, including neutron stars, black holes, quasars and supernovae.”

Having read the detailed course introduction, I had little idea what to expect from the course. They say there are no pre-requisites other than high school algebra and geometry, but a course that starts by assuming no knowledge would struggle to analyse the universe in 6 weeks of video lectures. Also I wasn't sure what kind of time commitment it would take. They say 5-7 hours a week, but is this really so? What kind of interesting new stuff would I learn? And if I'm interested in astronomy, why particularly a course on x-ray astronomy?

Professor Matilsky has said that this course will be scheduled again in the future, so in case you're wondering whether to sign up, here are my impressions:

Pre-requisites
According to the course details: “There are no pre-requisites for this course – other than high school mathematics (algebra and geometry).”

This is true, but don't be fooled. You really need those skills if you want to get anywhere with the quizzes, and the ability to do algebra and geometry is not enough. You need to apply deep, analytical thought. Professor Matilsky does not hand it to you on a plate, even if it looks as though he does in the video lectures. Having said that, the course discussion forums are a great place for interaction with the other students, and Professor Matilsky, together with the other fine staff of the Rutgers course, are active on the forums, answering student questions and helping where needed.

Tools: The course heavily uses an excellent free tool called DS9 from the Smithsonian Astrophysical Observatory. To use this you'll need Linux, Windows or Mac, (unless you're willing to use the source code to make it run on something else). If you have a tablet computer, but no access to one of those three operating systems, you'll be able to access the course videos and the course Wiki, but you won't be able to run DS9, which means you won't be able to do all of the quiz questions. I can vouch for the Linux and Windows versions of DS9, but I haven't tried the Mac version.

Do expect to read the course Wiki. It's part of the course, and without it the video lectures are not enough to answer the quiz questions.

Commitment/Time
Realistically I've taken longer than the estimated 5-7 hours a week. In all I've probably spent nearer 10 hours each week, possibly more, on the video lectures (frequently paused for copious note-taking), the course Wiki and the quizzes.

Content
This is where the rubber meets the road. What will you learn?

I'll give a blow-by-blow account of the course in a subsequent post, but here's a summary:

Each week Professor Matilsky takes us through a some of the pertinent history behind the week's lecture, and explains the physics and maths that will be needed. I was pleasantly surprised to find that the course serves three purposes. Firstly he gives us a guided tour to the free tool DS9, which is available to all from the Smithsonian Astrophysical Observatory's website. Secondly, using DS9 and some of the observations made by the Chandra X-ray Observatory, he helps us to see how we can investigate what is going on out there in the Universe for ourselves. Thirdly, but not least, he offers an excellent introduction to modern astronomy. That is the part I hadn't anticipated, and it added to my enjoyment of the course immensely.

We look at stellar evolution, and at the different kinds of supernovae, and the mechanisms behind them. We look at Cepheid variables, neutron stars and pulsars, quasars, galaxy clusters and black holes.

Most importantly we look at the data for ourselves, and we see how the data shows us what's going on out there. We see just how much we can learn about the Universe from publicly available x-ray data, using a freely available tool.

Cool!

Conclusions
I sincerely hope this course will be, as Professor Matilsky has indicated, available again in the future, and that you are able to take it yourself. This offering is a high quality educational course offered by a leading university, and delivered to you free of charge. The standard of education and of course production is as high as you could wish, and Prof Matilsky's inimitable presentation style is both is interesting and entertaining.

If you are interested in astronomy, but wonder whether a course on x-ray astronomy might be a little too specialised, worry no more. This course uses x-ray observation data to illustrate many fascinating aspects of modern astronomy, and this course, quite the opposite from being too specialised, offers a heck of an introduction to astronomy.

Professor Matilsky shows us how, armed with an understanding of some basic physics, and with the application of some high school mathematics, anyone can download DS9 and draw some pretty amazing and extremely interesting conclusions about some of the celestial objects for which the Chandra x-ray observatory has collected data.

Thank you Professor Matilsky, the staff of Rutgers University and the organisers of Coursera for this excellent offering. I highly recommend it to anyone who is interested in the subject.

Note
 I took this course from 28th January to 25th February 2014

Thursday, 6 February 2014

Steampunk With A Heart: Steampunk FAQ

Today I have the pleasure of hosting the Steampunk With A Heart blog tour with the Steampunk FAQ by authors Rie Sheridan Rose and Cindy Spencer Pape.

Then of course, there are the give-aways. There are books, M&Ms, steampunk jewellery and more, so read on...

Steampunk with Heart: Steampunk FAQ
with Rie Sheridan Rose and Cindy Spencer Pape
**see bottom of post for steampunk giveaways**
**see Steampunk With Heart Page for Facebook Party schedule**
What to ask (or not to ask) your friendly neighborhood steampunk author.  Here are some of the mostly commonly asked questions, how Cindy Spencer Pape and  Rie Sheridan Rose usually answer and what they’d sometimes like to say.
1) What the heck is steampunk, anyway?
Cindy: This is the big one—the one we hear ALL the time. My answers range from snarky (Jules Verne on crack) to oversimplified (science fiction set in Victorian times). For folks my age and over, I sometimes reference the old Wild, Wild West TV show. The long answer, which I never say, is that steampunk is a blend of historical feel and advanced technology. It’s not just a fiction genre, although it certainly is that, but it’s also a mood, a feel, and a thriving social phenomenon. It embodies futuristic technology, sometimes fantasy elements, and a rebellious attitude, along with a return to pride in manufacturing and craftsmanship. Most of all? It’s a whole hell of a lot of fun.
Rie: I usually say science fiction/fantasy set in a Victorian time frame. What might have happened if Steam technology had been developed along the times that Verne and Wells postulated? Emphasis is often on adventure and romance, as those are very Victorian tropes.
2) Why write steampunk? And why do you mix fantasy and/or romance elements into your steampunk stories? Or don’t you?
Cindy: Again, because it’s fun. I like writing books that I’d like to read. I love mixing history, SF, fantasy and romance. It’s not everyone’s cup of tea, but it’s what I enjoy.
Rie: I started off writing Steampunk as a challenge from my writing partner, but I really enjoy it. I've always been an Anglophile, and the Victorian era is so rich in detail and history. Is there any period as romantic in retrospect? The clothing, the manners... Mixing in the concepts Cindy mentioned is very accurate to the period, and adds spice to the writing. It makes for a very fun, open, and exciting genre to explore.
3) What’s the coolest gadget you’ve invented for your books?
Cindy: Gee, I’ve had cybermen and networked computers in Victorian London. Typewriter, telephone, germ theory and dirigible are all there ahead of their real time. Rings that eject poison darts and clockwork powered artificial limbs. Beyond all of that, however, the coolest creation in the Gaslight Chronicles world is George, the mechanical dog. George is kind of like Mr. Data on Star Trek. He’s exceeded his components and programming to the point where he’s really more or less a living creature.
Rie: My biggest and best invention is Phaeton, the Marvelous Mechanical Man. He is a nine foot tall automaton with self-awareness and superior strength and reflexes. I also have an airship, a Steamcar, and a "Mechano-Velocipede" which are integral to the plot.
Since I am only on book one of the series, I haven't been as creative as Cindy. J
4) How much research do you do, or do you make it all up?
Cindy: Short answer: Quite a bit. Long answer: I do a surprisingly heavy amount of research for my steampunk stories. I very carefully take the key incidents that changed my world from the one we live in, then I follow those changes and decide how they would have effected everything else in the world where the characters live. In my case, the tipping point is twofold: 1) Magic has always existed and been acknowledged, and werewolves, vampyres, etc. DO exist. Therefore the Order of the Round Table was never disbanded in England and still exists, Knights with extraordinary powers who protect England from supernatural threats. 2) The computer was invented in the 1840s, by a man called Babbage, and is called an analytical engine. (There’s history behind this. Babbage in fact, did design this machine, but it was never built in our world.) Since a woman wrote the code for this machine, women in the sciences were catapulted ahead of where they were in our world. I also do a lot of research on clothing, settings, historical events and figures. In Cards and Caravans, I had to tweak the Scottish legal system, since they weren’t really burning witches in the 1850s. But that means I had to know it before I could tweak it. And maybe, in a world where magic was a known reality, those laws might have been a little different.
Rie: Yes, I do. I research the technology to the point where I can make sure it is logical and not impossible. I check dates and events to make sure that I don't put something in that hasn't happened yet for no good reason. I research clothing, architecture, foods, etc.
Since I am set in New York City instead of the UK, it is a bit easier to find out some things.
5) Have you read… (insert your list of other people’s books that are or may be close to my genre)
Cindy: Answer: yes, no, maybe. Much steampunk is YA, and I don’t read a lot of that. I also don’t read a lot of hard SF, where it’s all about the technology and the world. I like my character-driven stories and my romance, so that’s most of what I read. I have read William Gibson’s The Difference Engine, which  is one of the seminal works of SF. Also, since steampunk is so maker-driven, there is a lot of self-published and web-original work out there. I read some, but may not have had time to read all of it.
Rie: I have read most of Gail Carriger's work (all of the Parasol Protectorate, but haven't started Finishing School yet.) Gale Dayton's Blood books were wonderful. I am way behind, but I will be reading a lot more!
6) Who are your favorite steampunk authors?
Cindy: LOL, besides myself? Snark. I love MelJean Brooks, Gail Carriger (except for the book where the main couple breaks up at the end—HATED that one) Kate Cross and Seleste Delaney. There are so many more I need to read, but haven’t yet.
Rie: Mostly the two mentioned above, Tee Morris and Phillipa Ballentine, but I haven't read any of the Ministry novels, just the short story collection.
7) Where can I buy your books? Are they at WalMart?
Cindy: My steampunk series, so far, is only in e-book. That’s kind of awkward in a community that wants everything to look like it’s 1885. So yes, you can get them at Amazon, or B&N, or the Carina Press website. No, you can’t get them at the grocery store. Sorry. I wish that wasn’t the case, believe me.
Rie: My book is available in paperback, but you have to special order it to get it in a brick and mortar store. It is available on Amazon or Barnes and Noble or through Zumaya Publications. It is also an ebook, and I believe can be gotten at Smashwords and Kobo as well.
8) How many more books will there be? When is the next one coming out? Which characters are in it?
Cindy: Truthfully? I don’t know. It depends on a lot. Mainly, sales. That’s the hard reality of the fiction business. The more they sell, the more there will be. A girl’s gotta eat, you know? There are two more on the table with my publisher. That’s all I know at the moment. The characters? Well, that’s up to the publisher, too. Let’s just say there’s one more MacKay sibling and a whole bunch of Hadrians who still need happy endings.
Rie: I hope I am just getting started. I am currently working on Book Two of the series, but it is proving a bigger challenge than I thought! It's my first sequel. Theoretically, it will be out this year...but it has to be written first. All the main characters should be back. I love my characters, particularly my heroine, Josephine Mann.
9) Where do you get all your cool steampunk clothes?
Cindy: Thrift shops. (I’m short, so a lot of skirts are floor-length on me, so I cheat there.) Renaissance festivals. The vendors there tend to be awesome, but pricey, so build your wardrobe a few pieces at a time. Catalogs and online companies like Victorian Trading Co., Pyramid Company, Corset-Story and Holy Clothing. Finally, there’s the custom vendors. That’s where things get really pricey, but really, really, cool. I’m not very crafty, but honestly, if you can sew, you have it made.
Rie: Most of my wardrobe is thrift store as well, with certain key pieces being bought at conventions. My main vice is hats. I have way more hats than logical...
10) Last question:  How do you come up with the ideas for all this far-out stuff?
Cindy: Usual answer: No idea. I just have a wild imagination. Snarky answer #1: I’m just twisted like that. Snarkier answer: The idea fairy leaves them in my shower and under my pillow, so I find them when it’s least convenient.
Rie: Everywhere. A chance comment can lead to a bit of an idea. One thing follows on another. I might read something and file it away for later. Dreams sometimes. Ideas come from everywhere. You just have to collect them.

"To me, Steampunk is an alternate look at a period of history that fascinates almost everyone. What would have been different if technology had taken a slightly different direction? And it is fun to play with the gadgets." Rie Sheridan Rose's short stories currently appear in numerous anthologies. She has authored five poetry chapbooks, and collaborated with Marc Gunn on lyrics for his “Don’t Go Drinking With Hobbits” CD. Yard Dog Press is home to humorous horror chapbooks Tales from the Home for Wayward Spirits and Bar-B-Que Grill and Bruce and Roxanne Save the World...Again. Mocha Memoirs published the individual short stories "Drink My Soul...Please," and “Bloody Rain” as e-downloads. Melange Books carries her romantic fantasy Sidhe Moved Through the Faire. Zumaya Books is home to The Luckless Prince as well as her newest novel, The Marvelous Mechanical Man. You can find her at her website.
The Marvelous Mechanical Man (A Conn-Mann Adventure)
Kindle | Nook | Print
Josephine Mann is down to her last two dollars when Professor Alistair Conn hires her to work on a wonder--a 9-foot-tall automaton Jo dubs Phaeton. When an evil villain steals the marvelous mechanical man, Jo's longing for adventure suddenly becomes much too real...and deadly.

"Steampunk is being able to mix together all the things you love from the Victorian, modern and all eras in between, along with the addition of future tech and fantasy." Cindy Spencer Pape firmly believes in happily-ever-after and brings that to her writing. Award-winning author of 18 novels and more than 30 shorter works, Cindy lives in southeast Michigan with her husband, two sons and a houseful of pets. When not hard at work writing she can be found dressing up for steampunk parties and Renaissance fairs, or with her nose buried in a book. You can find her on her website.
Ashes and Alchemy (The Gaslight Chronicles)
Kindle | Nook | Audio
London, 1860
Police inspector Sebastian Brown served Queen and country in India before returning to England to investigate supernatural crimes. Minerva Shaw is desperately seeking a doctor for her daughter Ivy who has fallen gravely ill with a mysterious illness when she mistakenly lands on Sebastian's doorstep. Seb sniffs a case and musters every magickal and technological resource he can to uncover the source of the deadly plague, but it's he who will need protecting—from emotions he'd thought buried long ago.
ENTER TO WIN

Tuesday, 28 January 2014

Francesca's Bookshelf: Motherwell's Minstrelsy - The Twa Corbies


Confined as she is to an oppressive Atelier life, Francesca's imagination roams free. Her collection of rare, antique books of ballads and songs is a source of constant inspiration, and as she browses the dusty pages of the ancient books she sings the old songs, transported to a different place - a different life.

One of her favourite songs is The Twa Corbies. This old Scottish ballad tells of ravens who are discussing their prospective meal of a knight who has been slain on the battlefield. The ballad appears in many of Francesca's collections, and typically for old ballads and songs, each time it appears in a different collection or performance, the words differ.

First, here's Damh The Bard with a modern rendition of the song:


In Minstrelsy Ancient and Modern by William Motherwell, first published in 1827, the ballad uses slightly more archaic language, but it's easy to follow:

There were twa corbies sat on a tree
Large and black as black might be,
And one the other gan say,
Where shall we go and dine to-day?
Shall we go dine by the wild salt sea?
Shall we go dine 'neath the greenwood tree?

As I sat on the deep sea sand,
I waved my wings and bent my beak,
The ship sunk and I heard a shriek;
There they lie, one, two, and three,
I shall dine by the wild salt sea.

Come, I shall show ye a sweeter sight,
A lonesome glen and a new slain knight;
His blood yet on the grass is hot,
His sword half drawn, his shafts unshot,
And no one kens that he lies there,
But his hawk, his hound, and his lady fair.

His hound is to the hunting gane,
His hawk to fetch the wild fowl hame,
His lady's away with another mate,
So we shall make our dinner sweet;
Our dinner's sure, our feasting free,
Come, and dine by the greenwood tree.

Ye shall sit on his white hause-bane,
I will pick out his bonny blue een;
Ye'll take a tress of his yellow hair,
To theak yere nest when it grows bare;
The gowden down on his young chin
Will do to sewe my young ones in.

O cauld and bare will his bed be,
When winter storms sing in the tree;
At his head a turf, at his feet a stone,
He will sleep, nor hear the maiden's moan;
O'er his white bones the birds shall fly,
The wild deer bound and foxes cry.

I mentioned earlier that different versions of this ballad vary, depending on the collection or performance. This is typical for old ballads and songs, but never more so than for this one. In the version by Damh The Bard, and in Motherwell's version, the ravens are able to look forward to a tasty meal of freshly slain knight. However, many versions differ in a fundamental way - the hound lies at the knight's feet, the hawk hovers overhead, warning off any predators and the lady buries him. The ravens sit by and wish they could feast, but cannot. One of the versions given in Minstrelsy Of The Scottish Border by Sir Walter Scott has this version of events, and finishes with the words:

God send euery gentleman,
Such haukes, such houndes, and such a leman.


Images © Tony Benson. All rights reserved


Monday, 23 December 2013

Merry Christmas

I love Christmas. It's a time when with one voice we all wish each other joy and happiness. A time of giving and a time of receiving. It is a time when we show those we love how much they mean to us.
So here it is. I wish you joy and happiness, and I hope that 2014 will bring you everything you wish for.

Monday, 2 December 2013

NaNoWriMo 2013 - Done and Dusted?

If you participated in National Novel Writing Month this year, I have a message for you...

Over three hundred thousand people participated in this year's event, and a huge number completed 50,000 words in the 30 days of November. For any writer that's quite an achievement. Many of us have produced an early draft of a complete novel. Not everyone completed 50,000 words, but everybody who wrote anything managed something they may not have achieved without NaNoWriMo. That's a win whatever the word count.

As always there has been no shortage of people in the mainstream media who criticise NaNoWriMo participants for doing something they consider worthless and annoying. I have a simple answer to those people. Try it some time and you'll find out that you're wrong.

Much of the criticism is based on a complete misunderstanding of what NaNoWriMo is all about. It's not about publishing, and it's not about getting an agent. It's about being inspired to write. Those of us who participate do so because we love to write, and NaNoWriMo is probably the most inspirational event that exists for people like us. We get together, we encourage each-other, we chivvy each-other along and we make wonderful new friends. Oh, and just to set the record straight with the critics, many participants have no interest in getting their work published. They write for the love of it, as we all do.

The nay sayers seem to think we want to write a complete, awesome and publishable novel in one month. Few people are capable of such a feat and I've never yet met a NaNoWriMo author who believes they can do that. We all know we'll have to work on edits and re-writes, but pretty much every professional author on the planet does that anyway.

Enough about the misguided critics. I was in the middle of congratulating you.

Now that we've got all this writing we produced during November we have to decide what to do with it.

In my case that's simple. You see, I'm a strange and unusual person. I like editing my work. I love to go back over my writing and make it better. I fix plot problems, deepen my characters, improve the quality of the writing. I begin with a manuscript that contains the bones of my story and with every editing pass through it I get to improve on what I started with. How could I not enjoy that!

Whatever your plans for your NaNoWriMo manuscript you are awesome. You've created something new, and the creative soul inside you has been fed.

Every year hundreds of thousands of people find renewed inspiration in their writing by participating in National Novel Writing Month. If you haven't dipped your toe in yet, there's always next year...